一部关于摄制组在古巴尝试采访菲德尔·卡斯特罗但失败的纪录片。

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.

这部纪录片拍摄于1992年，但直到15年后才最终完成，导演João Moreira Salles是巴西著名导演Walter Salles的兄弟，也是一位很出色的纪录片创作者。本片获利马拉美电影节和迈阿密国际电影节最佳纪录片奖。 　　Documentary about Santiago, a peculiar man who used to work for the director and his parents as a butler. The material was filmed in 1992 but, for some strange reason, the director felt he couldn't edit it and put it aside. In 2005 he remembers the unfinished film and starts its edition. 　　Joao Moreira Salles is one of Brazil's foremost documentary filmmakers. In 1992 he began shooting a film about Santiago, the butler in his childhood home who left an indelible mark upon the family. Santiago was an educated man who, in addition to his work, produced some 60,000 pages of stories documenting his surroundings as well as tales of aristocratic lifestyles, including that of the house in which he himself served. 　　Through his personal voice-over, Salles sheds light on his family and childhood, and on the reasons why the film took so long to complete. The result is an elegant mosaic with two parallel narratives, dealing with universal topics such as memory, identity, and documentary filmmaking. Santiago has been screened at some of the most important documentary film festivals and recently took the Grand Prize at Cinéma du Réel in Paris.

这部纪录片拍摄于1992年，但直到15年后才最终完成，导演João Moreira Salles是巴西著名导演Walter Salles的兄弟，也是一位很出色的纪录片创作者。本片获利马拉美电影节和迈阿密国际电影节最佳纪录片奖。 　　Documentary about Santiago, a peculiar man who used to work for the director and his parents as a butler. The material was filmed in 1992 but, for some strange reason, the director felt he couldn't edit it and put it aside. In 2005 he remembers the unfinished film and starts its edition. 　　Joao Moreira Salles is one of Brazil's foremost documentary filmmakers. In 1992 he began shooting a film about Santiago, the butler in his childhood home who left an indelible mark upon the family. Santiago was an educated man who, in addition to his work, produced some 60,000 pages of stories documenting his surroundings as well as tales of aristocratic lifestyles, including that of the house in which he himself served. 　　Through his personal voice-over, Salles sheds light on his family and childhood, and on the reasons why the film took so long to complete. The result is an elegant mosaic with two parallel narratives, dealing with universal topics such as memory, identity, and documentary filmmaking. Santiago has been screened at some of the most important documentary film festivals and recently took the Grand Prize at Cinéma du Réel in Paris.

A visual documentary inspired by Erik Satie, showcasing the sights and sounds of the industrialized Castro Street in Richmond, California.

古巴革命胜利后不久，菲德尔·卡斯特罗前往纽约市，在联合国发表首次演讲。 他受马尔科姆·X邀请入住哈莱姆区著名的特蕾莎酒店。 在全世界的目光注视下，一名原本负责调查马尔科姆·X 的新任联邦调查局卧底特工突然成为联邦调查局最有价值的资产，并肩负着不惜一切代价阻止卡斯特罗被中央情报局和意大利黑手党消灭的任务。

古巴革命胜利后不久，菲德尔·卡斯特罗前往纽约市，在联合国发表首次演讲。 他受马尔科姆·X邀请入住哈莱姆区著名的特蕾莎酒店。 在全世界的目光注视下，一名原本负责调查马尔科姆·X 的新任联邦调查局卧底特工突然成为联邦调查局最有价值的资产，并肩负着不惜一切代价阻止卡斯特罗被中央情报局和意大利黑手党消灭的任务。

The movie tells the story of a recently retired widower who meets a mysterious young lady in his life, disrupting his daily routines. 　　Lo que le pasó a Santiago was the first Puerto Rican production in history to be nominated for an Academy Award for Best Foreign Language Film.